wetheurban:


ART: Skittles by Josh Kline
Josh Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray.
Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.
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wetheurban:


ART: Skittles by Josh Kline
Josh Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray.
Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.
Read More
Zoom Info
wetheurban:


ART: Skittles by Josh Kline
Josh Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray.
Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.
Read More
Zoom Info
wetheurban:


ART: Skittles by Josh Kline
Josh Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray.
Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.
Read More
Zoom Info
wetheurban:


ART: Skittles by Josh Kline
Josh Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray.
Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.
Read More
Zoom Info

wetheurban:

ART: Skittles by Josh Kline

Josh Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray.

Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.

Read More

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Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
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cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info
cross-connect:

Featured Curator: Justin Ruckman
Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.
Zoom Info

cross-connect:

Featured Curator: Justin Ruckman

Phan Thu Trang uses heavy knife strokes to create these bright and pointed Vietnamese landscapes. While seemingly naïve and decorative, true to character for many Vietnamese paintings, Trang takes a minimalist, deconstructive approach that simplifies each scene to its geometric and tonal essentials. From there she draws from her memories of growing up in Hanoi and the Northern Villages, describing the people and feelings she experienced as a child.